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Tuesday, April 22, 2014
Doctor Whosday: Telepathetic Politics
In reviewing stories from the 60s, as I have been both here and on Marvel Mondays, certain themes come up again and again. One of the biggest is the contrast between democracy and communism. The freedom and individuality of the West is championed, while the collective juggernaut of the East is castigated.
"The Sensorites" begins much the same way. The brave, British astronauts from Democratic Earth are menaced by the Sensorites, insidious aliens who, while cowardly, have the ability to control the minds of humans. They have a collective society where each Sensorite is given their task, and they are in a cold war with the astronauts, refusing to let them leave peacefully yet also not killing them, yet. They are the communist threat.
And yet, in a bold move for 1964, "The Sensorites" takes a very different, and in many ways more modern, turn. And that is to be commended. But is it enough to overcome the weaknesses of the story? That is a good question.
Monday, April 21, 2014
Marvel Monday: Terrorists, Communists, and Carnies
In September of 1962 Fantastic Four became monthly. Added to the monthly titles of Journey into Mystery and Tales to Astonish (both now linked to Superheroes), and the bimonthly Incredible Hulk, Marvel Comics was starting to look like a true superhero lineup. And that started with the return of a familiar face in a new superhero context.
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| You know he's a superhero this time, because the bad guys are Communists. |
Friday, April 18, 2014
Apocryphail Phriday: Knee Deep In The Dead
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| I haven't seen the movie with the Rock. But it had to be better than this. |
It remains a textbook example of how never, ever to write a video game novel.
The problem is not the hard-on for the Marine Corps that makes Michael Bay look like a weed-smoking flower child. Nor is the problem the confused gender politics and inability to decide whether the heroes are snarky nerds or grunting jarheads.
The problem is not even the network of cliches that renders this story completely and utterly unengaging.
The problem is that this novel, this novel about the most badass Marine in the world mowing down an entire army of demons on the moons of Mars, is terrifyingly, life-suckingly dull.
Dull, dull, dull, dull, dull from Dullsville with a side order of dull and something dull on top.
Let's jump right in, shall we?
Thursday, April 17, 2014
Jeffrey Rewrites Voyager: Eye of the Needle
I consider this episode to be typical of the problem with Star Trek: Voyager. A good setup, an interesting and engaging crisis, particularly excellent acting, and a muddled ending that seems to undermine everything.
Plus, this episode makes absolutely no sense less than halfway through the first season. I mean, no sense.
Plus, it's a "Voyager may get to go home!" episode. Which automatically means the audience is just waiting for some deus ex machina excuse for why it won't work, which is what happens with every single "Voyager may get to go home!" episode to the point where I can barely remember any other distinctions between them.
At least this one has Romulans, and I love me some Romulans.
Tuesday, April 15, 2014
Doctor Whosday: Fixed Points and Macehuitl Fights
It is always a risky thing, creating a story set in a foreign culture. The typical writer for western television grew up in the west, so while foreign cultures like European nations, or the United States, Canada, or the UK if you are not a native, can be difficult, they are at least similar to the writer's experience.
But when a western writer tries to write about a culture that rose up in isolation from the shared Roman Empire history of the West, be it Eastern culture or Hindu culture or African culture, that writer is often having to learn everything from scratch. If the writer does not care enough to do the research, this can lead to glaring stereotypes and errors.
This is doubly true for stories involving Pre-Columbian America, which does not have any shared history with Europe, Africa, or Asia (unless you subscribe to the African Origins theory, but as that is not the current scientific consensus we won't get into that here.)
So when I say that "The Aztecs", the sixth Doctor Who serial, does a magnificent job of realizing pre-Columbian Aztecs, both the good and the bad, and creates one of the most interesting and thoughtful Doctor Who plots yet seen, or indeed seen since, I want my readers to have a sense for just how impressive that is.
This is one of my favorites, and I may gush. You've been warned.
Monday, April 14, 2014
Marvel Monday: Heroes At Last!
Despite the fact that the only hero in the Marvel universe thus far has been Bruce Banner, August of 1962 saw two new entries into the ranks. And one of them is a bona fide hero! The other isn't yet, but he will be by the end of his issue and the uttering of the words, "With Great Power Comes Great Responsibility."
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| Why did he ever lose the underarm-netting? |
Friday, April 11, 2014
Apocryphail Phriday: Fray
I'm sort of cheating twice with this one. First, word of god says that today's subject is actually canon, and it has been referred to in the comic books that followed the TV Series and the series itself. Second... it's actually not that bad. In fact some things are really awesome. But then there are some things that just... yeesh.
Anyway, this is Joss Whedon's Fray.
Fray was an 8-comic miniseries published by Dark Horse, and was the first Buffy: The Vampire Slayer comic actually written by Joss Whedon. In a crapsack future version of New York City, the supernatural and magic has been gone from the world for so long that everyone has forgotten about it. But in the shadows the Vampires are returning. And Melaka Fray, a petty thief, discovers that she is the heir to the legacy of the Slayers. Which mostly manifests as her having all the worst problems of Superman and Goku.
Welcome to the 23rd century, ladies and gentlemen!
Anyway, this is Joss Whedon's Fray.
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| It's like Buffy meets 5th Element meets Hellboy meets Shadowrun meets... |
Welcome to the 23rd century, ladies and gentlemen!
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